From sold-out concerts to chart-topping albums, and from industry critiques to groundbreaking collaborations, here are the top 10 moments that shaped the Nigerian music landscape.

1. Asake sells out O2 Arena for the second time

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Firstly, Asake, the YBNL star, delivered an electrifying performance at the O2 Arena on Saturday, September 21, 2024, as part of his Lungu Boy tour. This marked the second time in his three-year career that the Nigerian Afrobeats singer sold out the iconic London venue, following his first O2 show in August 2023. Performing to over 20,000 fans, Asake turned the night into an unforgettable experience with new stage designs and an expanded setlist.

Also, tracks from his newly released album, Lungu Boy, mixed with older hits like Remember, Fuji Vibe, and MMS, had the audience singing along passionately. What made the event even more special was the lineup of guest appearances. This includes Afrobeats giants Wizkid, Stormzy, and others, all of whom graced the stage to perform alongside Asake.

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2. Flavour sells out Wembley Arena

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Secondly, Nigerian highlife sensation Flavour has officially joined the ranks of Nigerian artists who have sold out the Wembley Arena in London. The 12,500-capacity venue hosted Flavour’s African Royalty Experience tour on August 23, 2024, a night filled with music, dance, and cultural celebration. Following the release of his album African Royalty, Flavour has toured across Europe, stopping in cities like Paris, Lisbon, and London.

His setlist featured fan-favourite tracks like Ada Ada, Nwa Baby, and Oyi, along with more recent hits like Levels. Also, the night was filled with traditional Igbo and Afrobeat rhythms, highlighting Flavour’s signature mix of highlife and modern Afrobeat.

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3. Fireboy DML’s album brings Lagbaja back from retirement

Thirdly, Fireboy DML’s much-anticipated fourth studio album, Adedamola, released on August 29, 2024, has become a subject of intense discussion. This is primarily because of the participation of the iconic Nigerian Afrobeat legend, Lagbaja. The collaboration marked Lagbaja’s return from retirement after years of absence. Also, its result is a soulful blend of saxophones, violins, and traditional drums that evokes nostalgia.

In particular, the song Back n Forth stands out for its African rhythms and Fireboy DML’s powerful, emotional lyrics. Lagbaja’s signature bata drums and omele added an unmistakable African essence. Also, his saxophone entrance in the track stirred deep feelings of pride among listeners. Fans were eager to hear Lagbaja, who last performed at the AMVCA in 2022, back in action, delivering verses reminiscent of his classic hits like Nothing for You.

Subsequently, in an Apple Music interview, Fireboy DML revealed that even in the studio session, Lagbaja maintained his mysterious persona by never removing his mask, much to Fireboy’s amazement. The collaboration is considered one of Fireboy’s most successful endeavours, showcasing his ability to mix nostalgia with contemporary sounds.

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4. Rema’s homecoming concert in Benin City

The moment Don Jazzy came on stage to perform Dorobucci with Rema in Benin pic.twitter.com/dHI6eu6Wkn

— OLAMIDE (@Olamide0fficial) August 31, 2024

Meanwhile, Afrobeats sensation Rema returned to his hometown of Benin City for a spectacular homecoming concert at Samuel Ogbemudia Stadium on August 30, 2024. This was Rema’s first show on Nigerian soil, and he did not disappoint. The concert drew thousands of fans and became a landmark event for the city. This is why it made it to the list of top 10 moments that shaped the Nigerian music industry in 2024.

Rema’s set was marked by electrifying performances of his hit songs, including Dumebi, Calm Down, and Charm. Special guests such as Mavin Record boss Don Jazzy, as well as Crayon and Shallipopi, made surprise appearances. This added to the excitement of the night.

One heartwarming moment came when Rema gifted two fans N2 million for their creative portraits of him. However, a brief commotion occurred when a fan jumped on stage during his performance of Ozeba. This led Rema to kick the fan off the stage. This action created a dramatic twist to the night but didn’t dampen the overall atmosphere.

Rema sharing N2m each to fans like water at his concert. pic.twitter.com/6O4HQf2l9G

— POOJA!!! (@PoojaMedia) August 31, 2024

5. Wizkid hints at release date for new album 'Morayo'

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Moreso, superstar Wizkid may finally be ready to drop his highly anticipated sixth studio album, titled Morayo. This is after teasing fans for months. Set to be released as a tribute to his late mother, who passed away in 2023, the album has been in the making for nearly two years. The singer, who has already released hits like More Love, Less Ego, is building expectations for his fanbase once again.

On September 2, 2024, Wizkid posted cryptic hints on his social media. He suggested the album, or at least a single, might drop on October 1, 2024—Nigeria’s Independence Day. The message, which read, “On the day of independence, the truth shall set us free RRR,” has fueled speculation.

6. Buju Banton’s critique of Afrobeats sparks response from Tems

"I understand where Buju Banton is coming from... Reggae is not Afrobeats and Afrobeats in Nigeria is specifically for escapism...that's the purpose of Afrobeats"

- Tems pic.twitter.com/cJm5I0X98a

— @𝗼𝗻𝗲𝗷𝗼𝗯𝗹𝗲𝘀𝘀𝗯𝗼𝘆 (@OneJoblessBoy) September 2, 2024

Additionally, Jamaican reggae icon Buju Banton stirred up controversy during an interview on the Drink Champs podcast, where he criticized the global dominance of Afrobeats. According to Buju, Afrobeats lacks depth and borrows heavily from Jamaican reggae and dancehall without acknowledging its roots. His statements provoked a strong reaction from both the African and Caribbean music communities.

However, Nigerian Afrobeats star Tems responded thoughtfully during an interview on the Shopping The Sneakers podcast. She explained that Afrobeats, especially in Nigeria, is primarily about creating a “vibe” and providing an escape for its listeners. This contrasts with the socio-political messaging often found in reggae and dancehall. Tems’ nuanced answer sparked a wider conversation about the cultural significance and evolution of both genres.

7. Rema’s experimentation with 'HEIS' album

Rema on his new album ‘HEIS’ being compared to ‘YEEZUS’ pic.twitter.com/lY3oN0Gjhd

— Complex Music (@ComplexMusic) August 8, 2024

Furthermore, Nigerian superstar Rema shocked the world with his latest album HEIS. This took bold experimental turns in terms of sound and style. In an interview with Complex Music, Rema shared that he wanted to push boundaries and break away from his usual Afrofusion style. This is despite his label’s initial reluctance.

The album blends various genres, incorporating elements of rock, R&B, and traditional African sounds. By this, drawing comparisons to Kanye West’s genre-bending Yeezus album. Rema embraced these comparisons, stating that he intended to introduce new textures to Afrobeats without losing his African roots. His willingness to take risks has paid off. HEIS is now being hailed as a forward-thinking project that signals the future of Afrobeats.

8. Rema, Omah Lay, Shallipopi featured on EA FC25 game soundtrack

Also, as part of moments that shaped the Nigerian music industry in 2024, Nigerian Afrobeats stars Rema, Omah Lay, and Shallipopi were featured on the official soundtrack for EA FC25. This is the rebranded version of EA Sports’ popular FIFA game series. Released on September 27, 2024, the soundtrack includes 114 songs from global artists. So, this is with Rema, Omah Lay, and Shallipopi representing Nigerian Afrobeats.

This recognition shows the increasing influence of Afrobeats in mainstream global culture, especially in sports and gaming. Past Nigerian artists like Davido, Olamide, and BNXN have also been featured on FIFA soundtracks. However, this year’s inclusion signals that Afrobeats is becoming a staple of the franchise.

9. Burna Boy’s iconic collaboration with Hugo Boss

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Consequently, Burna Boy continues his global rise, not just as an artist but as a cultural icon. The Grammy-winning Afrobeats star was featured in Hugo Boss’ latest campaign. This is alongside global heavyweights such as Naomi Campbell and David Beckham. Burna Boy’s presence in the campaign emphasizes his crossover appeal. This solidifies his role as a global brand ambassador for African music and culture.

10. Psquare's final dissolution

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Lastly, one of the moments that shaped the Nigerian music industry in the third quarter of 2024 is the P-Square dissolution. After years of on-and-off performances and public feuds, Paul Okoye officially confirmed the final dissolution of P-Square, one of Nigeria’s most iconic music duos. In a candid Instagram Live session, Paul revealed his decision to focus on his solo career. He cited frustrations with the group's dynamics as his reason. P-Square, once known for chart-topping hits and electrifying performances, now belongs to the history books as one of Africa’s most beloved and influential acts. The final split marks the end of an era. Also, it opens new chapters for both Paul and Peter Okoye in their individual pursuits.

These 10 moments have shaped the Nigerian music industry. It shows its resilience, creativity, and global appeal. As the year unfolds, fans can expect more exciting developments from the country's vibrant music scene.

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Nigerian award-winning singer and songwriter Temilade Openiyi, popularly known as Tems, has responded to comments about Afrobeats made by Jamaican reggae legend Buju Banton.

Banton recently criticised the Afrobeats genre, which is currently dominating the global music scene, accusing it of not giving due credit to reggae and dancehall, lacking musical depth, and being a culture vulture movement that stole from Jamaica.

During a recent interview on The Breakfast Club, the popular American syndicated radio show hosted by DJ Envy, Charlamagne tha God, and Jess Hilarious, Tems reiterated her stance on the matter when asked about Banton's remarks.

The 29-year-old songstress explained that, like any genre, Afrobeats serves a specific purpose, particularly for its Nigerian originators. According to Tems, Afrobeats is designed to celebrate good times, which is exactly what it does. She emphasised:

"Afrobeats is not reggae; it's not rock. It has a specific purpose. When you think about where it comes from—Nigeria—it’s made for a certain experience. You're welcome to join us in its enjoyment."

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READ ALSO - Why Buju Banton's Afrobeats critique misses the mark & 10 soul-lifting Afrobeats songs

In the 43-minute interview, Tems also discussed other interesting topics, including her career, personal life, and more.

Watch full interview below

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Banton, a Jamaican reggae icon, had sparked debate with his comments on the "Drink Champs" podcast, where he accused Afrobeats of lacking depth, cultural appropriation, and failing to acknowledge the influence of reggae and dancehall.

However, in an interview on the "Shopping The Sneakers" podcast, Tems, a prominent figure in the Afrobeats scene, offered a nuanced response. She said, "I understand where Buju Banton is coming from… Reggae is not Afrobeats, and Afrobeats in Nigeria is specifically for escapism, for vibe…that's the purpose of Afrobeats."

Meanwhile, her statement highlights the distinct cultural context and artistic intentions of Afrobeats, which has gained global popularity in recent years. Also, Tems' response has been seen as a thoughtful rebuke to Buju Banton's Afrobeats criticism. It emphasizes the value and authenticity of Afrobeats as a genre.

Additionally, the exchange has sparked a broader conversation about cultural exchange, appropriation, and the evolution of musical genres. As Afrobeats continues to gain international recognition, artists and fans alike are weighing in on its significance and place within the global music landscape.

"I understand where Buju Banton is coming from... Reggae is not Afrobeats and Afrobeats in Nigeria is specifically for escapism...that's the purpose of Afrobeats"

- Tems pic.twitter.com/cJm5I0X98a

— @𝗼𝗻𝗲𝗷𝗼𝗯𝗹𝗲𝘀𝘀𝗯𝗼𝘆 (@OneJoblessBoy) September 2, 2024

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Jamaican iconic dancehall, ragga, and reggae singer Mark Anthony Myrie, popularly known as Buju Banton, has caused a stir over his recent critique of the Afrobeats genre.

The Grammy-winning act, who recently returned to the United States for his "The Overcomer Tour" after being deported to Jamaica in 2018 for a drug conviction, was a guest on the popular American podcast "Drink Champs." Hosted by legendary Queens rapper-turned-show host N.O.R.E. and Miami hip-hop pioneer DJ EFN, Banton spoke extensively on his career, the state of Jamaican music, Overcoming Jail, Bob Marley, and a host of other interesting topics.

While speaking on the podcast, which premiered on August 10th, 2024, the legendary Banton criticised the afrobeats genre, which is currently at the forefront of global music dominance, for not giving props to reggae and dancehall, lacking depth in its music, being a culture vulture movement that stole from Jamaica, and some other statements. The singer's comments stirred an uproar in the music community, especially among Africans and Caribbeans. Here are my thoughts:

Are Buju Banton's Takes on Afrobeats Accurate?

Even though Banton's argument might hold little water, his comments on Afrobeats are entirely incorrect and largely come from a place of not being as heavily invested in the genre or as knowledgeable about it as he thinks. For clarification, Afrobeat (without the "s"), which was pioneered by the legendary Fela Anikulapo Kuti, is a West African musical style, primarily in Nigeria, that combines traditional rhythm, highlife, funk, jazz, and soul into one, and was developed in the 1960s and 1970s. Years later, due to its success and the success of its pioneer, it became a stand-alone genre like other traditional genres such as Fuji, Apala, Juju, and Kizomba. Afrobeat, being a fusion of various sounds, including Western influences like jazz, logically has a strong foundation; therefore, Afrobeats leaned towards this genre more than other West African genres, crediting it as the groundwork for the newly evolved Afrobeats (with an "s"). Afrobeats, like Afrobeat, consists of several genres of music and is, in fact, more of an umbrella term for popular West African genres of music from the 2000s, 2010s, and beyond, with subgenres like Naija beats, Juju, Highlife, Azonto, and even UK-developed genres like Afro-swing. Therefore, it's clear that Afrobeats is a relatively modern genre of music played and enjoyed mostly by young people.

Props to Reggae?

Now that Afrobeats and Afrobeats as a genre have been defined and their differences clarified, Banton's expectation that Afrobeats should give props to reggae feels like a reach, especially because the closest genre that can be attached to Afrobeats in this discussion is dancehall, which is not even a dominant genre in Afrobeats' musical composition. Of course, African stars over the years have looked up to Caribbean musicians, given that they had exported their music on a global level long before Africans did; by 1985, the Grammys—the peak of music awarding bodies—had included reggae in their categories. The likes of the Marleys, Bunny Wailer, Buju Banton himself, Sean Paul, Shaggy, and the entire reggae movement were therefore inspirational to Africans, especially because of the cultural connection between the Caribbean (particularly Jamaicans) and many Africans (especially West Africans). However, now that it is Afrobeats' turn to gain its well-deserved global dominance, it is surprising that the genre and its people are expected to give some sort of credit to reggae when, in actuality, the music is not on the same spectrum.

Culture Vulture

Of course, Africa has incredible artistes inspired by reggae, with a majority of them playing dancehall as a genre itself; artistes like Daddy Showkey, Stonebwoy, Patoranking, General Pype, Burna Boy etc. However, neither Afrobeat nor Afrobeats have reggae as a major component; the highest influence is from dancehall, due to its fast pace, but it is still not a major component of the modern Afrobeats genre. Interestingly, the drums and rhythms that makes up reggae itself draw influence from traditional African folk rhythms. So, how is it possible that the Afrobeats movement might have been culture vultures of Reggae and Dancehall, especially Reggae?

Lacking Depth

Once again, Banton's critique of the Afrobeats genre misses the mark, largely due to a lack of understanding. During the interview, Banton mentioned African stars like Fela Kuti (Afrobeat), Lucky Dube (Reggae), Salif Keita (Traditional Mande music), Youssou N'Dour (Traditional Mbalax), and Baaba Maal (Traditional African rhythms) as the African artists he feels have depth and create soul-lifting music. It's important to note that all the names he mentioned are musicians who play predominantly traditional music, with lyricism and delivery rooted in Africanism and communalism. As such, they continuously follow paths of political, social, and mental consciousness.

Afrobeats, being a modern genre of music, follows a path that appeals to the younger generation, whose realities often revolve around vices and frivolities. To put this in perspective, Banton, in the same podcast, defined reggae as music that speaks to the soul, while dancehall is a genre where young people express themselves and explore more sexualized themes (i.e., vices and frivolities). This explains why a large portion of the catalog from Caribbean artists like Sean Paul and Shaggy focuses on themes like women's bodies, gyrating, and similar topics. Drawing a parallel, Afrobeat could be seen as the soul-stirring genre, akin to reggae, while Afrobeats might be viewed as the more sexualised genre, akin to dancehall.

Against this backdrop, isn't it ironic that Banton expects Afrobeats, a modern-day genre, to provide the depth that dancehall, also a modern-day genre, does not? Moreover, because of the solemnity of reggae music and the upbeat tempo of Afrobeats, it’s easy to perceive depth in a calmer song compared to an uptempo one, even if the uptempo song is rich with inspiring lyrics. A perfect example is BNXN's (formerly Buju) "Pray," a fast-tempo song that centers around hope, optimism, and prayer.

To further buttress the argument that Banton's comments on the podcast were inaccurate, here are ten Afrobeats songs that uplift the soul.

1. Burna Boy ft Youssou N'Dour - Level Up

The song focuses on running your race till the victory lap, not giving up, believing in one's ability, and fighting for what's yours. Level up! The song kicks off with a sample of 1950s hitmaker Pat Boone singing a song from the 1959 film Journey to the Center of the Earth. The introspective tune reflects on past struggles, celebrates accomplishments, and encourages listeners to keep pushing until they achieve their goals. Level up! Part of Burna Boy's lyrics reads, "Because right when you start feeling like you can't level up, that's when you haffi shut the devil up." Senegalese legendary singer Youssou N'Dour's contribution to the song adds a much-needed layer of cultural richness and authenticity.

2. Asake - Sunshine

'Sunshine' speaks of having to go through pain to eventually conquer it. The neo-fuji singer believes success is sweeter and more fulfilling after labour has been undergone, as his lyrics in Yoruba say, 'Igbadun aye po leyin iponju.' The feel-good tune interpolates the classic Lighthouse Family song 'Ocean Drive' and explores themes of positivity, gratitude, resilience, and other essential qualities needed to navigate this very dark world. Knowing that not everything can be achieved through physical effort alone, Asake resoundingly prays in the song that 'the sun is going to shine on everything you do.

3. Brymo - Jungle Fever

The fast-paced tune calls for freedom from the people against their opressors! "check your time, its free yourself O'clock!" Byrmo preaches. Highlithnin the everyday crisis, revolving around corruption, bribery, tribalism, negligence and other plagues in African society, the singer opines that the people have to be the one that will love and free themselves from this shackles, as the opressors dont care.

4. J Martins - Cool Temper

J. Martins, on 'Cool Temper' (a pidgin term that loosely translates to "Reduce Your Temperament"), explores the importance of maintaining a clear mindset to navigate life. The singer highlights the fact that provocations and turmoil are constant in life, and one needs to cool their temper to handle these challenges. "Stand up to your feet and say no to your defeat," he says, promoting firmness and resilience in facing adversity while dealing with it with a steady mindset.

5. Monsters you made

The highly lyrical, invested song focuses on social activism, historical injustices, colonialism, and many other important issues in African societies. Sampling the voices of two African icons, Burna Boy begins the song with a speech by Fela Anikulapo Kuti on marginalization and injustice and ends it with the voice of renowned Ghanaian author Ama Ata Aidoo, who speaks on the recurring exploitation, degradation, and violence perpetrated by Colonial Europeans against Africans.

The shackle-freeing song, which features British singer Chris Martins, calls for unity, resistance, and, most importantly, awareness among Africans against structures representing Europe's plan of inequality and injustice. Burna Boy has made it known that the harsh realities imposed by the system have turned the people into "monsters."

6. Black Sherif - Soja

The themes of Black Sherif's "Soja" center on inner strength, resilience, and the mental battles one faces in life. The song reflects on the struggles of maintaining focus and staying strong in the face of personal challenges and external pressures. "Soja" (short for "soldier") is used metaphorically to represent the mindset of a warrior, someone who is determined to keep fighting despite the odds.

Black Sherif addresses the importance of mental fortitude, urging himself and others to keep pushing forward even when feeling overwhelmed or vulnerable. The song also touches on themes of self-awareness and the internal conflicts that come with trying to stay true to oneself while navigating life's difficulties. Ultimately, "Soja" is a motivational anthem that encourages listeners to remain steadfast and resilient, no matter the obstacles they encounter.

"Soja," a shorter form of "soldier," sees Ghanaian artist Black Sherif metaphorically depict the mindset of a warrior on the battlefield, committed to fighting until the very end. The song emphasizes the importance of mental and physical strength in navigating life, even when it feels overwhelming. "Oh soldier, stand and beat your chest, dem dey come, no let them catch you off guard," the lyrics highlight the need for fearlessness and preparedness.

7. Dremo - Thieves in Uniform

Released on October 4th, 2022—sixteen days before the Nigerian Armed Forces shot at peaceful protesters in Lekki, Lagos State, on October 20th, 2022—the song by Dremo highlights the constant oppression inflicted by oppressors upon the people through one of their fear-wielding tools: the police.

The title "Thieves in Uniform" not only refers to the intense police brutality Nigerians have experienced but also to the government brutality they have faced over the years. "We go gas fight back to win this combat." Dremo rallies the masses to resist because the oppression will not stop. The song is a call for awareness, justice, and reform in the face of systemic corruption.

8 Falz ft Sir Dauda - How Far?

The introspective song addresses Nigeria's disheartening situation since its independence in 1960, a situation that is also common in African societies. Falz and his collaborator on the song, Sir Dauda, are asking, "How far?" which directly translates to "What's happening?" due to the nation's persistent backwardness since independence. The song highlights how the people continue to suffer while the country's leaders and elite enjoy themselves through looting, corruption, and other heart-wrenching means.

The future generation's prospects are regularly dashed as the same political class continues to recycle clueless leaders to govern the people, leading to a massive export of society's brightest and youngest minds to advanced parts of the world in pursuit of their life goals. The song calls for concern for justice and transparency, cries for change, and urges the masses to stay aware and involved in demanding better governance.

9. 2baba ft Sauti Sol

The Nigerian and Kenyan collaboration titled "Oya Come Make We Go," which loosely translates to "Rally Around, Let's All Go," highlights adventure, fearlessness, the pursuit of happiness, and more. Given how worn African society has made people, the song serves as a much-needed upliftment to stand up and go after our dreams regardless of the obstacles.

The song’s intentional use of "we" also underscores the power of unity and collective effort in achieving one's goals. "If you don't jump, you never fly; and if you don't fall, then you never feel the pain," part of the lyrics reads, urging you to have no fear and take the leap of faith in proactively pursuing your dreams.

10. Brymo - Let us be great

Brymo, in "Let Us Be Great," as the title indicates, pleads for societal development. The African society, plagued with backwardness, easily crushes the dreams of its people due to the many social barriers it possesses. The song longs for freedom, fairness, and equality, calling on leaders to create a society where everyone is given a fair chance to fly, compete, and succeed in what they know how to do.

Parts of its lyrics read: "Let us be great for once, let there be room for all. The whole world is moving on; what are we waiting for?" This is a cry at the fact that the world is advancing without us - Africa.

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Jamaican singer Buju Banton recently released a new song titled, Coconut Wata (SIP), you will find the song's lyrics below. Buju Banton collaborated with Jermaine Reid to co-produce Coconut Wata.

Buju Banton - Coconut Wata Lyrics

Chorus
Sip, sip, sip, sip, sip (Sip)
Sip, sip, sip, sip
Coconut water
Sip, sip, sip, sip
Sip, sip, sip

Refrain
Duppy make you feel tough when you a fryers
Oh, true you see your friend them and them have the bangers
Broke them like bread and put them under heavy manners
Muzzle flash repeat a sound and then you hear the hammer
Them know you text so tough and can't chat, now you stammer (Stammer)
What you ago do cah you nuh walk with your banger
And how we ago show you say we friend them real, no followers
A that them a pree, pree

Chorus
Sip, sip, sip, sip, sip (Sip)
Sip, sip, sip, sip
Coconut water
Sip, sip, sip, sip
Sip, sip, sip, sip

Verse 1
While we a sip coconut water, wеll, them just a trip
We look pon them and noticе how them ship just a dip
We tell them get things in order, them continue to miss
An fly out an go 'Merica, come back in a casket
Now inna California where the man them getting rich
Loyalty, man, you haffi be a true optimist
Work hard for what you want and stop watch my shit
That not how, that not how, that not how we do it, we ago

Chorus
Sip, sip, sip, sip, sip (Sip)
Sip, sip, sip, sip
Coconut water
Sip, sip, sip, sip
Sip, sip, sip

Verse 2
Some man a move funny when them bruk up inna money and girl
Pussy let me find out who are me real pal
A money let me know who ah the true general
When them dead, me nuh turn up pon some boy funeral, me keep it real

Chorus
Sip, sip, sip, sip, sip (Sip)
Sip, sip, sip, sip
Coconut water
Sip, sip, sip, sip
Sip, sip, sip

Refrain
Duppy make you feel tough when you a fryers
Oh, true you see your friend them and them have the bangers
Broke them like bread and put them under heavy manners
Muzzle flash repeat a sound and then you hear the hammer
Them know you text so tough and can't chat, now you stammer (Stammer)
What you ago do cah you nuh walk with your banger
And how we ago show you say we friend them real, no followers
A that them a pree, pree

Chorus
Sip, sip, sip, sip, sip (Sip)
Sip, sip, sip, sip
Coconut water
Sip, sip, sip, sip
Sip, sip, sip
Sip, sip, sip, sip, sip (Sip)
Sip, sip, sip, sip
Coconut water
Sip, sip, sip, sip
Sip, sip, sip

Liked 'Coconut Wata' Lyrics by Buju Banton? Read Other Latest Music Lyrics Here

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"These Streets Know My Name" is the 14th track on DJ Khaled's new album, GOD DID, this song features Buju Banton, Skillibeng, Bounty Killer, Sizzla, and Capleton, read the official lyrics to 'These Streets Know My Name' below and sing along.

RELATED: Read 'Bills Paid' Lyrics by DJ Khaled Ft Latto & City Girls

DJ Khaled, Buju Banton, Skillibeng, Bounty Killer, Sizzla, & Capleton - These Streets Know My Name Lyrics

Intro: Capleton, Skillibeng, Sizzla & DJ Khaled
Blessed is the man that walketh not
In the council of the ungodly (Yuh sih)
Nor standeth in the ways of sinners (Yeah man, a Eastsyde, brrrp)
Great is Jah (Judgment yard)
And greatly to be praised (We The Best Music)
In the city of our Jah, in the mountain of his holiness (Yeah, man, a top ranking)
Sizzla
Another one, DJ Khaled (Yuh sih)

Verse 1: Skillibeng & DJ Khaled
Alien badness, I stay with a 'matic
And don't play with the badness, and don't ramp with Khaled
Never believe in us, God did (God did), that's why we roll with chopstick
Something long like a mop stick, shooters don't need no practice
Expert shootеr dem Mavericks
With the broom thеm a brand this
Fire, not miss
A we have the chalice
I keep, gi' them boy deh a knock knee
A baby them God see
Whole of the weight go down 'pon me, heavy weight
DJ Khaled bring the beat and I kill the beat
Me can fling lyrics
Yeah, Eastsyde is in the lead
Unuh a disbelief, a expensive feature
So some bitch will pree, the bwoy smile enuh, ang gon' medz mi later
Boy them play you hard a fi your owner paper
Do my crimes so neat
Eastsyde no fear investigator
I know me roots like cultivation
I love Jamaica and puff me grades and I stack the paper
Buy some shot with face 'pon it, calculator
We born fi danger, Eastsyde get the cash fi repatriation
Eastsyde a rule from God creation with bad behavior
Somebody go tell me teacher say me did wrong fi say that
School alone and I love me fucking occupation
Not a failure, Skilli 'pon a beat is like gas to flames yah
So the place a burn down every fire station
Can't put out the flame like alien invasion, money makers

Interlude: Buju Banton & Skillibeng
Yeah
Oh, yeah, oh (Brrrp)

Chorus: Buju Banton, Skillibeng & Capleton
These streets knows my name, yeah (Murder)
These legs knows my pain (More fire, yeah ah)
Hoii, burn fire fi feel disappointed and shame
More education and more wealth, now
Them wan' help now, them wan' help now
And yuh fi know how fi get in a yuh (A you wan' tell them something?)

Verse 2: Capleton & Sizzla
From them sell out, we nah go friend them up
Me say anytime you ready, just send them up
And make me burn them up, and burn them up and heng dem up
Babylon say independent and then pen them up (Yeah)
Modern slavery, a that a heng them up
Buju Banton, Sizzla, and Khaled nah go friend them up
Killer cross, Skillibeng a fi go pen dem up
Wen fire a fi go burn dem, alright
When you see the nation (But we tell them), no violation (So we tell them)
Tell them liberation (Now we tell them), tell them reparation (Hoii)
When you see Jah nation (But we tell them), no segregation (So we tell them)
Hope and aspiration (Now we tell them) a fi bun up Satan
Weh them a wait 'pon?

Chorus: Buju Banton, & Bounty Killer
These streets knows my name, yeah (Murder)
These legs knows my pain (More fire, yeah ah)
Hoii, burn fire fi feel disappointed and shame
Celestial meditation when the kush touch di flame
Boy, you fi put the respect 'pon we name
Or the scope them will aim

Verse 3: Bounty Killer
Well, clip a race, them run it and the Killer make the hammer clap
The banger weh we use, line them up and no scammer chat
The bomb a drop, all robber talk, the don a chat
Legendary status, rich badness, back on that
Them should a know, me watch and protect and me chain a blind them eye
And gyal a press it, and a send it back like a reply
Them think them can run in this, 'nough nose between them eyes
Skilli' roll up with a hundred dirt bike
We roll up in a these rides, Louis V slide
Chain bright like a street light, weh you feel like?
Extra clip weh we carry have thirty-eight nine
You no wan' Eastsyde, buss your head in three side
Tell them say a one grung gad, nah fear, dem nuh run down fad
Buss head like condom, all blood a leak out 'pon them Glock
Them know a different port fi mon and the banton shot
Ask the street cah we been bad

Chorus: Buju Banton, Sizzla & Capleton
These streets knows my name, yeah (Selassie I)
These legs knows my pain (More fire, yeah ah)
Hoii, burn fire fi feel disappointed and shame
More, more flames (Sizzla)
But a weh them take you for?
More fire, more, more, more flames

Verse 4: Sizzla
Respect goes a far way, not half way
We be at this all day
Never gonna get me giving up, we going all the way
The ups and the downs, yeah, the cuts and the bruise, uh
The system messing up, yeah, but what we all gotta choose
And it ain't getting no better, if you sit back, you lose, uh
My brothers and the sisters all over the news (Hey)
That's what we do, yeah, we burn out corruption (Hey)
And big up your group, tell them watch how we function (Hey)
What next to do when yuh reach out to junction? (Hey)
A mother's slammed giving up a conduction
Heads up, heads high
The limit is the sky
Heads up, heads high
The limit is the sky (Whew)
Catch them, do the damage, get the package, I'm out
Getting the money, that's what they hate I'm about

Chorus: Buju Banton, Capleton & DJ Khaled
These streets knows my name, yeah (Murder)
These legs knows my pain (More fire, yeah ah)
Burn fire fi feel disappointed and shame
They ain't believe in us; Jamaica did

Outro: Capleton
Fire, hoii

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The post These Streets Know My Name Lyrics by DJ Khaled appeared first on NotjustOk.

In this edition of Fan Affairs, we speak to the electrifying soul-hitting singer, Tomi Thomas, and one of four of LOS music group, who very recently serenaded the airwaves with his Hopeless Romantic EP, to hear about his fan experiences.

When did it first hit you that you had fans?

My mom is my biggest fan so she always let me know that she's my number one fan. But fans as in the world, was people coming up to me in the middle of the streets and going “Hey you're Tomi Thomas, I love your music, you're amazing.”

ALSO READ: Tomi Thomas is the Vessel Channelling Soulful Afro Music From Heart to Heart

And walking round Dubai back in 2012/13 and people getting familiar with my song on the radio. Just people interacting with my music overall is really cool.

What are some things you no longer do or some places you no longer frequent after this happened?

I still go everywhere. The craziest place to go would have been the mall back here in Lagos or those kinds of places. But right now, it's more about just keeping my cool and exchanging energy with anyone who's just giving off good energy. 

ALSO READ: Fan Affairs with LadiPoe: "A Guy Sent Me a Picture of A Tattoo of My Lyrics on His Chest"

Fan Affairs with Tomi Thomas: What is the craziest or most memorable thing a fan has ever done to get your attention?

It was a couple of years ago. She made a song for me and sang it to me about how much she loves me and my music. I kissed her back-- what was I going to do? It was a pure moment, we laughed about it. I told the fans to give her a round of applause and it was just good energy. 

If you were going to have a fan moment, what celebrity do you think would leave you starstruck?

If I was going to have a fan moment, it would definitely be for Maroon 5, Adam Levine or Sade Adu, Damian Marley or Buju Banton. I'd go crazy cause those are legends and amazing artistes. 

If you enjoyed Fan Affairs with Tomi Thomas, make sure to check Notjustok.com every Tuesday, as we'll be sure to bring you more authentic stories from all your favorite music stars.

The post Fan Affairs with Tomi Thomas: 'I kissed My Fan Back' appeared first on NotjustOk.

Tomi Thomas announced the release of the EP via his Instagram page on Friday, the 4th of June 2021. The 6-track EP housed previously released tracks; "Hopeless Romantic" and "Again". The singer thanked everyone who worked on the project with him and those who have always believed in him. He wrote;

Super exited to officially announce The Hopeless Romantic EP is Out Now in all stores link in bio. Big love to everyone who worked on this project with me, it takes a village and all I can say is thank you to every soul who gave energy and passion to this masterpiece I appreciate you all. Took a while but we here now and the flood isn’t gonna stop stick with me and We go higher together forevermore love u all let’s goo ?

READ ALSO: Tomi Thomas is the Vessel Channelling Soulful Afro Music From Heart to Heart

Stream "Hopeless Romantic" on DSPs HERE

The post Tomi Thomas Features Buju Banton on New EP, 'Hopeless Romantic' | Listen appeared first on NotjustOk.

The album was nominated under ‘Best Reggae Album’ and will be competing against Buju Banton’s ‘Upside Down,’ Maxi Priest’s ‘It All Comes Back To Love’, Toots & The Maytals’ ‘Got to be Tough,’ and The Wailers’ ‘One World’ 

Kel P broke the  news on his Instagram story where he shared a picture of the nomination sheet with the words “Grammy boys, I did it again.” He then made mention of his previous nomination from the recording academy. 

RELATED POST: Will Burna Boy Bring Home The Grammy? Take a Look at The Profile of the 4 Artistes He's Up Against

Kel P's Instagram Stories Posts about His Nomination

Kel P had previously been nominated for his work on Burna Boy's 'African Giant' album under the Best World Music category during the 62nd edition of the award show last year. 

The post Kel P Bags Grammy Nomination for Production Work on Skip Marley's 'Higher Place' EP appeared first on NotjustOk.

Buju Banton, Patoranking - Blessed Remix

Buju Banton recruits Patoranking for 'Blessed' remix

Jamaican Grammy-winning maestro, Buju Banton has released his remix extended play tagged 'Blessed More Blessed.' On the project, he collaborates with Nigerian dancehall superstar, Patoranking amongst other music acts.

RELATED: Listen to Patoranking's Three (Album)

Patoranking was featured on the third remix and trust me, he never disappoints when it comes to situations like this. In fact, he delivered like a Hebrew woman.

Check it out below and share your thoughts.

The post Buju Banton recruits Patoranking for 'Blessed' remix | LISTEN! appeared first on NotjustOk.